Let's navigate the cinematic cosmos with must-read magazines for emerging filmmakers.

The charm and the originality of independent film scene are not always recognized however, resources are available to aid and inspire creatives throughout their cinematic journey.

The list of indie magazines listed below was carefully crafted for you in order to drive you to your big break. You will take a trip through the pages of the most influential indie film magazines, showcasing the intersection of innovation and storytelling, where emerging talent can shine. These publications function not only as windows into the world of independent film but also as guides, directing artists towards prominent trends, opportunities and a spirited community that takes pride in the independent cinema.

Let's delve into the pages of these media outlets and open a treasure trove of knowledge and inspiration for the independent filmmaker.

Beneficial Shock!

Beneficial Shock! is an annual film magazine that highlights often overlooked aspects of cinema, blending writing and illustrations. It celebrates progressive thinking, giving both visuals and content equal weight.

Filmmaker Magazine

Filmmaker Magazine is a detailed guide for filmmakers, examining the creative and commercial aspects of cinema. It serves as a valuable resource, providing expert perspectives, industry trends, and practical advice to navigate the complex world of filmmaking. The magazine accompanies filmmakers on their cinematic journey and presents behind-the-scenes analyses of the industry's most influential filmmakers, including case studies, interviews, and profiles. IndieWire annually publishes the "25 New Faces of Independent Film" list, which identifies and highlights promising emerging talent.

Interview

Interview is a bimonthly film magazine that brings together artists, filmmakers, musicians, and other creative thinkers, centered around its signature celebrity-driven storytelling. The magazine follows a rough newsprint format and an Instagram-inspired aesthetic, delivering bold full-page visuals that make it stand out.

Seen

Seen is a biannual journal of film and visual culture created by Blackstar. It offers filmmakers a space to explore how Black, Brown, and Indigenous communities experience globally. It highlights artists and storytellers whose work expands the boundaries of visual culture, as well as being dedicated to more inclusive filmmaking.

Sight and Sound

Sight and Sound, the British Film Institute’s international film magazine, delivers reviews, filmmaker interviews, and industry-shaping insights. For filmmakers, it remains a definitive source for trustworthy film analysis.

Little White Lies

Little White Lies is a bimonthly indie film magazine that combines cinema and art, offering stories, visuals, and unique interviews. Since its launch in 2005, the magazine has celebrated extraordinary movies, redefining how we experience film. At its core, the magazine continues to inspire and engage readers with its fresh perspective.

MUBI Notebook

Notebook is a publication dedicated to the art and culture of cinema, created as an extension of the indie film streaming platform MUBI.

A Rabbit’s Foot

A Rabbit’s Foot offers a quirky, cerebral take on film appreciation, celebrating the magical aspects of cinema. Charles Finch, producer, writer, and filmmaker, leads the publication, which highlights interviews, essays, and unique perspectives on the art of filmmaking.

Doesn't Exist

Doesn't Exist magazine challenges traditional notions of storytelling and reality in cinema. Focusing on experimental and avant-garde films, the magazine explores the limitless possibilities of the cinematic medium. It not only pushes boundaries but questions the very nature of existence in the world of film, making it a trailblazer for those seeking a transformative and thought-provoking journey through the avant-garde landscape of cinema.

Now & Again

Now & Again is an annual magazine that focuses on the “collaboration for new ideas”. The latest issue centers on cinema, from both the point of view of a filmmaker and from the audience.

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