PUNK STATE is the debut feature by director and screenwriter Loris Di Pasquale (Italy), an independent film produced by BeDi Produzioni in collaboration with Gianluca Arcopinto, one of Italy's most respected producers of auteur cinema. The project has just launched a crowdfunding campaign on Kickstarter to invite the public to take part in the making of a bold, politically charged and uncompromising film.
Set in a haunting, ambiguous theatre, PUNK STATE is a symbolic and unsettling descent into the machinery of control and submission. It brings to the surface the most uncomfortable issues of our time: political manipulation, addiction as a form of power, the normalization of extremism, and the erosion of freedom.
"PUNK STATE is an invitation to rise again, to reclaim control" says Loris Di Pasquale, whose previous short films have been selected by over 125 international festivals and received more than 60 awards.
PUNK STATE takes its inspiration from the NO WAVE movement: cinema as rebellion, raw expression, and artistic urgency. It positions itself as part of a wider call for the rebirth of a free and insurgent Italian cinema.
With this film, the creative team seeks not just to tell a story, but to build a collective act of resistance through cinema. On this occasion, we portray Loris Di Pasquale in our indie filmmaker interview series.
Loris Di Pasquale began his career in 2011, directing four short films and a TV pilot that collectively took part in over 130 festivals and won more than 60 awards. His short film Aleksia was selected for 60 festivals, including the Giffoni Film Festival, Visioni Italiane, and the Best of Latino America International Film Festival, which qualifies films for the Oscars. Similarly, Io Sono Matteo was a finalist at 62 festivals, including the BAFTA-qualifying Carmarthen Bay Film Festival in 2021, Sedicicorto, and Torino Underground.
Loris Di Pasquale: It’s a great question and I’m glad you asked. I’m lucky to have a tight-knit collective of people who share every step of the process with me: the creative side, the financial side and the promotion. We work as a unit. Without them, none of this would be possible.
Loris Di Pasquale: Absolutely. These days we have so many tools at our disposal, even with a limited budget, it’s possible to create strong visibility. For films like Punk State, which don’t have big financial backing, platforms like YouTube and podcasts become essential to getting the word out.
Loris Di Pasquale: I’ve been very fortunate. Over the years, I’ve participated in more than 150 festivals, 130 with just my last two short films. It’s allowed my work to reach thousands of people around the world. The most rewarding part of making a film is knowing it’s being seen.
Loris Di Pasquale: Of course there’s never a guarantee, but as a collective, we start building an audience well before the film is finished. We keep people involved with regular updates on social media and by email, beginning as early as the production phase. By creating anticipation early on, we’re usually able to reach a strong and engaged audience when the film is released.
Loris Di Pasquale: In Italy, unfortunately, marketing and distribution are often overlooked, and that’s part of why many great films don’t reach their audience. Abroad, I really admire A24. Their social media strategy is brilliant, it feels like you’re following a person, not a company. That human, curated presence is what makes people connect with the brand. It’s followed like a celebrity.
Loris Di Pasquale: Without hesitation the team behind Punk State. They’re extraordinary. I’ve never experienced such passion and commitment, it’s like everyone knows they’re building something that matters and they’re giving it everything they’ve got. I’m incredibly grateful to be working with them!
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