Pavlina Korleti • October 3, 2025

Art PR: Expanding artistic reach through digital exhibitions

- PR ON THE GO Expert Panel

Pavlina Korleti headshot

Author: Pavlina Korleti

Pavlina is a third year Communication student at the American College of Greece and simultaneously minors in Graphic Design. For the first year of her studies she was at Leiden University studying Art, Media and Society. From wandering Athens’ museums and exhibitions to exploring and deepening her other hobbies and interests Pavlina tends to stay creatively busy. At PR ON THE GO she is excited to enhance her experience in the field of Public Relations through her passion for art.

How can artists use digital exhibitions and virtual galleries to expand their global audience?

In the current digital environment, virtual exhibitions and online galleries serve as significant resources for artists and institutions to reach audiences outside their local areas. By placing art in accessible online environments, artists can transcend geographical limitations, showcase their creations to a worldwide audience, and involve viewers through engaging and immersive interactions. These online platforms enhance visibility while also creating fresh chances for cultural interaction, audience expansion, and lasting acknowledgment.

The Norman Rockwell Museum has adopted digital advancements by initiating a complimentary virtual field trip program, providing global audiences access to more than 250 of the artist’s pieces. This program enables classrooms, art enthusiasts, and global audiences to experience the collection without geographic barriers, enhancing access to Rockwell’s art like never before. Through the use of immersive online resources, the museum preserves the artist's legacy while showcasing how virtual exhibitions can broaden global outreach, involve younger audiences, and foster significant cultural ties beyond the confines of a conventional gallery.

But a significant question rises; What challenges do artists face when presenting their work online and how can they overcome them to reach an international audience?

Here are the experts' insights.


  • Create a Roblox-style room where individuals can interact with art collectively
  • Design an environment that invites repeat engagement
  • Make strangers feel like insiders
  • Adopt an interactive narrative
  • Establish discoverability
  • Build owned media and distribution channels
  • Create an action step beyond simply looking at the art

@normanrockwellmuseum

Amazing details in Rockwell's Painting, Art Critic! 👀   Hurry in to see this painting on view at the Museum before the Illustrating Humor exhibition closes on February 23! Norman Rockwell once said he envied students who swooned when viewing the Mona Lisa because he never felt such passion. Rockwell may have seen himself as a more analytical artist, such as the one examining a seventeenth-century Dutch painting in his 1955 Art Critic.

♬ Sixty Second Commercial 1 by Michael Reynolds - malcolm


Create a Roblox-style room where individuals can interact with art collectively

Emily Reynolds-Bergh, Owner at R Public Relations

"There are several issues artists may face when sharing their work in digital spaces. First, color grades may differ, and viewers may not be able to experience the tactile, textured elements of a piece. In order to avoid these issues, artists may consider 3D modeling to ensure viewers have the full experience. Second, the community aspect can be hard to replicate online. For this, artists may be able to create a Roblox-style room where individuals can speak to each other and interact with art collectively."



Design an environment that invites repeat engagement

Zazie Kanwar-Torge, A.K.A Zazie Productions, Film Composer | Multimedia Polymath | Playlist Curator (31K+) | Mental Health Satirist (10M+ views)

"In my experience the most successful digital exhibitions aren’t just about putting images online—they’re about designing an environment that invites repeat engagement. A flat slideshow gets one glance; an immersive gallery with layered entry points keeps people returning, sharing, and discussing.

One of the biggest insider tips I give artists is to think of digital curation the way streaming platforms think of content drops: segment the experience. Offer a high-resolution main showcase for serious collectors, short-form snippets optimized for social sharing, and an educational angle that teachers or journalists can use. That multi-tiered approach multiplies your reach without additional artwork.

The hidden challenge is discoverability. Metadata, titles, and even the way files are described can determine whether your work shows up in search, gets picked up by journalists, or lands in an online classroom across the world. I’ve seen artists overlook this, then get eclipsed by others with similar quality work but stronger digital framing.

Finally, the key to overcoming “screen fatigue” is interactivity. Digital audiences crave a sense of participation—whether through sound design, live Q&As, or clickable storytelling layers. When you treat a virtual exhibition not as a compromise but as its own medium, it stops competing with physical galleries and starts building a truly international audience."



@normanrockwellmuseum

Amazing details in Norman Rockwell's painting, New Kids in the Neighborhood (Moving Day). Moving Day depicts the integration of Chicago's Park Forest suburban community. The children examine each other with curiosity and it appears likely that they will soon be friends. However, the face appearing from behind a window curtain make us wonder how the adults will react.

♬ scott street - ☆


Make strangers feel like insiders

Peter Murphy, Founder at TrackSpikes.co

"Artists face a larger challenge online than showing their art, it is engaging emotionally. The representation becomes so shallow. The solution is representation with immersive formats and layered narratives like voiceovers, and payment posts including process videos, story walk-throughs that provide a simulated experience of size, scale and space.

An online gallery needs not only to show the gallery, but transport the user. This is what creates views and creates loyalty.

In the highly saturated noise of the digital world the artists who win, are the artists who make strangers feel like insiders. This is the moment when the art stops scrolling and starts sticking."



Adopt an interactive narrative

Loris Petro, Marketing Manager at Kratom Earth

"Artists are dealing with a critical challenge when they transition their work online to be noticed in an overcrowded digital space where attention spans are measured in seconds. The largest challenge is not just building a virtual gallery, but getting people to visit it by using good SEO, reaching out to social media users with well-focused campaigns and entering into partnerships that help to promote it. To overcome this, artists must approach their digital exhibitions with the same approach they would use for a marketing campaign, taking advantage of the resources available for keyword research to make sure their work comes up in relevant searches and using the platform-specific content provided by Instagram Reels, YouTube Shorts, and TikTok to create a teaser content that will funnel the audience to the full exhibition.

Another significant challenge is building an emotional connection with a screen, and for that to happen, artists must abandon static imagery and adopt an interactive narrative. Virtual galleries are successful when they provide immersive experiences such as 360-degree views, videos of artists commenting on their work, videos of how the artists created their art, or live Q and A sessions with the artist to make an artist more human. By a blend of technical optimization and authentic engagement strategies, artists can make their digital presence go beyond the ordinary portfolio to become a destination that has a global resonance and a dedicated, international following."



@normanrockwellmuseum

Spectacular details in Norman Rockwell's, "Triple Self Portrait." Humor and humility were essential aspects of Norman Rockwell's character, so when asked to do a self-portrait that would announce the first of eight excerpts of his autobiography, the results were lighthearted and somewhat self-deprecating. The painting provides the essential elements not of his life as an illustrator, but of the specific commission. Rockwell's life is far too eventful and complex to begin to approach summation in a single work so he limits the composition to himself, his artists' materials, his references, a canvas on an easel, and a mirror.

♬ The Winner Is... Version - DeVotchKa


Establish discoverability

Michael Alexander, Managing Director at Tangible Digital

"Digital exhibitions are powerful because they connect engaging artwork to audiences around the globe & there is no longer the restriction of geography but with that scale comes a new set of challenges. Online, it is no longer just about exhibiting the work, it becomes about whether people can find it. Without visibility, artwork is at risk of becoming invisible regardless of how good the work is.

The larger sponsorship that is a viable solution for this, in my view, is treating virtual galleries like businesses treat their digital presence with discipline. It means establishing discoverability, establishing authentic narratives in possibly various mediums and creating experiences which without the user touching and feeling artwork can seem flat. People do not want to simply see art online, they want to feel engaged by it.

When an artist uses creativity with a clever digital strategy, they move on from a virtual gallery that sits there passively into an organic experience.

Great artwork should have an audience and in a digital age, strategy is the key to that audience."



Build owned media and distribution channels

Jacob Elban, Creative Strategist at Davincified

"Artists sharing their work online are inundated with discovery and attention fragmentation. Algorithms prioritize volume over quality, so even great artwork sinks in noise if it is not algorithmically distributed strategically. Virtual exhibitions that don’t use a narrative context or an interactive layer rarely last beyond 15 to 22 seconds of the viewer's attention.

Artists bypass the noise of platforms by building their owned channels through email lists and other platforms owned by community members instead of solely relying on the social feeds of those social media platforms. Using high-resolution zoom functionality and documenting the process behind the work saw engagement numbers increase by 60 to 70 percent compared to the same images in a gallery format.

Digital exhibitions can scale your audience and presence but it takes intentionality to build your audience. Artists that have transitioned from creating online portfolio websites to treating their online presence like a distribution channel, convert casual viewers into loyal followers and customers."



Create an action step beyond simply looking at the art

Gor Gasparyan, CEO & Co-Founder at Passionate Agency

"The number one challenge facing artists introducing work online is the digital sensory overload that results in their work essentially becoming invisible to a foreign audience. Think about this: simply putting high-definition images online or creating a virtual gallery does not guarantee a scalable reach; in fact, the popular concept of ubiquitous reach completely disregards the real competition for limited user interest. A massive painting (oil) or an elaborate sculpture, which can occupy attention in a real room, will be just another image that takes zero effort to process when viewed on a crowded screen for less than 1 second. So, a better [and smarter] plan is to consider the digital exhibition experience less like a showcase and more like a Conversion Rate Optimization funnel with a measurable goal, i.e. an action beyond simply looking at the art.

Instead of a looking experience, artists should think of their digital spaces as requiring a small and measurable action step from that international guest within the first 60 seconds to fight that looking impulse. So instead of a general looking room, create a focused, high-fidelity room with only 3 - 5 of your featured work and requiring a small action step, like rotating the 360 degrees or doing a quick poll on their emotional response. We actually had a 250% increase to an international email sign up when we provided high-definition download of their work until they answered two-question feedback, resulting in an engagement loop instead of basic view. This completely transforms an experience that only consists of a random gallery walkthrough into a specific, productive and data based experience that can also inform your marketing strategy moving forward."



#PRontheGO



Subscribe to the PR ON THE GO newsletter.

Receive the latest media news in your inbox. Discover journalists and start pitching!


PR ON THE GO

The Entrepreneur's Source For Global Prime PR Hacks.